A Love Story In Time
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Introduction
The Hungarian film "Final Cut, Ladies and Gentlemen" directed by György Páphi, tells us a simple, interest. Then begin a beautiful relationship in which they share incredible and beautiful moments. Based on love and respect the relationship flows perfectly to the point that she becomes pregnant. After very difficult moments during romance, he leaves her and lists her army, where she dies in combat without learning that she will be a father.
Developing
From this point the story takes an unexpected turn, time is returned and in the new reality he does not go to the army, which implies that she now can tell her partner who is going to be a father, which makes themvery happy and can be together to end a happy ending. We see, then, that the story is built under the parameters and guidelines of the typical structure of Hollywood films, where after the protagonists are faced with hard situations, they finally manage to overcome and get triumphant to end with a happy ending.
The really novel and interesting of this feature film are the narrative elements that she uses to build the story. The director uses a unique technique that consists of recycling, during postproduction, a large number of images, all extracted from countless recognized films that serve to wear the thread of history of history. The result is an incredible assembly in which the perfect continuity in the cuts and emotions it produces are its main characteristic.
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This is a film that breaks with all the schemes previously seen in the realization and assembly of feature films, a production that cinema lovers should not be lost.
This new way of telling stories, without a doubt, will generate controversy both among the public and in specialized criticism. According to Adolfo Vásquez, in family relations "each partner can abandon the other in the first difficultThey take a disappointment. When this author points out that "love becomes floating, without responsibility towards the other, it is reduced to the faceless link offered by the network" we immediately connect it with the story in question;The love of the protagonists.
The commitment they had acquired and the world they had built together was weakened after the difficult circumstances they experienced. That, certainly, shows us the lack of responsibility with the relationship and with what they promised each other with the other. From another angle, we can analyze, when it refers to the faceless link offered by the network, in the way in which the faces of the protagonists vary during history, since they do not maintain during the assembly leading to a parallel with thecommunication that exists today with the use of the Internet.
Where the subjects can have different faces or hide after one that is not the real when creating their identities as network users. In addition, fragmentation is a key piece in the aesthetics of the story. During the edition, the use of hundreds of fragments that come from many iconic world cinema films masterfully managethe public. In direct connection with what Bermúdez and Martinez say.
About how virtual communities create their own rules and codes of social interaction, in this story are also appealed to codes and norms of social and couple behavior that are shown as a representation of the newspaper in the communities and social groups at the time at the momentin which its members interact and socialize. Finally, following the thoughts of these last two authors I would like.
conclusion
In this story, as in cyberspace, timelessness is a constant and clearly the film teaches us how it creates a constant time from images that were filmed throughout these more than 100 years of the history of cinema. Timeless scenes, that is, from different eras and places when they are joined in a logical way not only end up producing strong emotions and feelings, but also a world in which space-time is expressed continuously and full of reality and truthfulness,fact that can be equal to what is experienced in the communication and creation of stories in cyberspace.
References
Bermudez, E & Martinez, G. (September 26, 2001). Cultural studies of the era of cyberespace.
Vásquez, a. (March 2008). Zigmunt Bauman: liquid modernity and human fragility.
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