Human Being Philosophy

Human Being Philosophy

Introduction

Nietzsche’s philosophy hidden under mascará. Nietzsche reconsider the past of tradition in the western world and repulsible with fervor all customs. Fink describe Nietzsche’s philosophy at this point: "The statement that understands everything and the denial that discusses everything".

Developing

Nietzsche changes values ​​and founds the philosophy of life. He declares the progress to metaphysics, but Fink proposes the term "inverted metaphysic" to talk about Nietzsche, because this creates a new use originally from being, making use of this. That is, he rejects metaphysics, but needs it to do it.

Here metaphysics is seen by Nietzsche from a moral sense: an imposition of values ​​that oppress life. This is for the philosopher, a comfortable and cowardly posture, because the human being for not being at ease in the sensitive, the transmundo of one beyond the phenomena is invented. Being is interpreted as value.

At the origin of the tragedy in the spirit of music, apart from the tribute he makes to his friend Wagner, for which he feels deep admiration, he interprets his work and the art of his music, as a musical odyssey that corresponds to the ancient old tragedy , formulated from an aesthetic category, acquiring this the fundamental ontological principle.

As we have seen before, the origin of tragedy is an artist’s metaphysics, an interpretation of the world through art.

But music and lyric shows us who is the true subject of art: it is not the human being, but the background of the world that acts by the middle of this, making it depositary of their tendencies.

This Greek thinker wanted to transform everything logical and rational, he invented to the ‘theoretical side’, leaving the instinctive of the man who defended Nietzsche so much. The scientist moves between concepts without knowing that these are mere empty metaphors that have lost their meaning: "lies of language in an extramoral sense": unconsciousness in the use of words and concepts. The artistic man, however, knows the deception of all fixed things, and therefore also that of metaphors, but moves freely to reality because it is creator and produces images.

conclusion

Nietzsche conceives three possible ways of behaving with respect to history: antiquarian: human being that is reduced to admiring and conserving a humanity that lives from the past and behaves according to customs and tradition; Life is mere memory and memory here, criticism: open attitude towards the present transforming it to the extent of the past, citing history before the current, and monumental: projected attitude towards the future. It is the life of genius, the life of the brave person. Life that is not full of creative impulses for their own future takes refuge in the past, tries to forget the emptiness with the fullness of a lived life of others.