Modernism And The Evasion Of The Reality Of Poets

Modernism and the evasion of the reality of poets

The evasion of reality is almost what is written in rhetoric, seeks a way to be effective to delight, persuade or move through words, where characters, situations and anecdotes again do nothing but illustrate general ideas and abstract that I could allow the understanding of what the poets of modernism want to express.

This just seemed to be pure action but in reality they just want to want a story, that is, they use the language that gives a function of lending to a story, it is the story itself that is used to lend itself to an entire event. Those poets are happy as they usually confess to get carried away by the words that sprout from their vast imagination, this is due to their condition more of interpreters than of authors that enables them to mediate between the public and their principles. It is difficult to imagine that this can have an end, at most, it is interrupted and recommended, since the plot variations of that time allowed something infinite to seem and illustrate increasingly in a more fanciful way.

It was a means of escape from both space and time with the aim of looking for beauty in an ideal world where they take refuge, it is also the response to a demand and in fact a demand that is expected to be satisfied. The intensity of the poet’s expressions, expressions and exchanges is not fully deprived of clarifying the truth. They always locked a part of the truth in their verses. Why do some people say that the evasion of reality is bad? I consider that they are not seeing the entire scheme that this topic contains.

There are still people who say that these poets did not worry or interested what happened to their surroundings, and this is totally false, since they could feel what was happening in their jumm or what happened in their societies, they had their feet in Earth and knowledge to heaven. The evasion of reality has been a contant throughout us, very diverse are the forms that attitude assume. Conventionally it has been said that evasion is a way that the poet has to deny his reality and the time he had possible to abolish it.

The modernist and disappointed writers of their reality, chose to create a space full of distant places and nature, in their verses there were also precious, the literary tendency that refines and beautifies the expressions and human feelings accompanied by certain nuances. Even in the time of Modernism there were poets who fell in love with a woman describing her with characteristics that in reality does not exist, but when this wonderful lady rejected them they could think of suicide, or as a clearer example a poet who fell in love with a woman but never approached and thought of her. These poets felt in a wonderful way I used their imagination to take refuge from pain, frustration, fear among other emotions.

Without imagination and without language, a society has no course, we must admit that we are also promoted to reach our maximum potential or through this extraordinary stories they made us arrived of warnings of warnings. Let us not forget that imagination is directly related to cognitive development, through its use it can be gradually set up the knowledge it has acquired from the world.

conclusion

Modernism arose at a historical moment where nations were built an identity, the modernist style of evading reality separated into political and social approach to devote itself to a creation of the magical, sensitive atmosphere and is related to nature and the field. According to renowned poets, they recognize that the style of modernism was born as a response to positivism, which the latter consisted of a philosophical position that defended the scientific, useful knowledge to cape and sword. Through the evasion of reality, poets decided to create this style and manifest sensitive and subjective, their purpose was to mold beauty and shock the reader through words. These poets were mainly characterized by their concern, it is affirmed that it was a strange movement that, instead of representing social and political crises in their work, evasion was preferred as an ideological approach. Without this characteristic the other pillars that make up modernism would collapse because imagination is more important than the same knowledge. Knowledge for mortals is limited but imagination surrounds all parts of the world.