Contemporary writing

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Contemporary Writing
Minimalism in American Literature means less with an intention to create a more richness in effect with a polyvalency. It is also interpretive, and its vitality would exist with less restraint in dynamism and control to induce an absence of effect and increase the reduction in narrative techniques. In John Crawford’s “Last Story I will Ever Tell” the descriptions of the narrator clearly articulated the events of the war in Iraq and Israel from a personal biography. It accentuated the literary forms of war in the region in a purer form such that the events explained were augmented from an intimate biography of the narrator’s life in Iraq. His attributes could have called for the nature of life in the region and how it also affects his own life psychologically and mentally. It helps him differentiate the different meanings of what life could be like back in his home and within the region in Tel Aviv. The lack of access to water, the tragic living conditions of the people in Tel Aviv were just some of the events that do occur on sight in the region.
A minimal writer makes attempts to describe specific demands within the narrative techniques with the creation of fewer orders so that the reader can gain more (Greany 12). The writer enables the reader to access easy answers to the questions in the story. John Cheever creates a sensation on the surface of the reality of the distinctive elements in the lives of suburban citizens in both white and African American perspectives.

He depicts the reality of manners illustrated in American middle-class homes and the daring eventualities in tempting demands on a person coming back home from the army. The short story begins by describing how people would wake up with a hangover starting from the parish to the wildlife preserve. Life seemed superficial from their standards as the story accords to the swimmer’s perfect life and his achievements; he also plans to name a lake after his wife, Lucinda. Prosperous men would meet near the lake and share drinks while reminiscing about their prestigious lives and creating a sense of notion in what comes as an achievement in life.
Creative Non-Fiction writers possess an effect on the writer while conducting literature that involves critical re-evaluation to create sympathy. The non-fiction actors accentuate their ability to use power and its navigation and that which perceives in the human mind (Bayn and Robert 43). Such an example can be explained as in Lord of the Rings novels which articulate the use of power and how once power when handed to the wrong hands, as emulated by corrupt leaders. Their intentions with minimalism have the purpose of defense as compared to praising the novel. The readers re-establish their strategy in reading that will encompass their way of writing and the principles when it comes to history in literacy (Greany 23). In Back Beyond, Ron Rash shows some of the realities behind illegalities conveyed in the society as opposed to its implied sense of morals it represents. Stealing in shopping malls, using meth as a drug and other mannerisms seemed to destroy the hope of the narrator of an ideal civilized society.
Non-Fiction writers prompt a change in the way of history in literacy in that its value bears much criticism (Greany 19). They say that a minimalist writer takes a small vision and their means of execution is not of adherence as compared to fiction writers. Some stipulate that a minimalist writer takes no much compliment as compared to a fiction writer.
Work Cited
Baym, Nina, and Robert S. Levine. The Norton anthology of American literature. New
York London: W.W. Norton & Company, 2012. Print
Greany Phil, Introduction to Literacy Minimalism, WordPress, Available at
https://philgreaney.wordpress.com/2012/02/07/an-introduction-to-literary-minimalism-in-the-american-short-story/, 2012.