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Movie Review
“Amadeus”
In the film “Amadeus,” the main protagonist poses human conflicts ideas coming out before the exploration of the content and the character include self-awareness and talent, but at some point also, creativity is projected out of character (Jackson, 2002). The idea of establishing the creativity is also expected. Although some of the aspects might seem to be in line with what is expected, there is the contrast in the sense that Mozart is expected to be unaware of his mediocrity, he is very much informed about it otherwise creativity and its establishment are correctly anticipated.
The most surprising scene is when Mozart warbles and jabbers just like a mere lunatic. Someone who is self-centered and at the same time a person who is unpleasant is entirely a portrayal of a talent that is so blazing although what is seen as the angelic voices seems too much for his spirit to bear. This is surprising because it displays some contrast and irony at the same time.
The most informative scene/idea is the elongated cut of the director for 20 minutes; this has been used in solidifying some of the past stories and adds a few after-thoughts. The natural pace is slowed in a manner that informs the audience the story is dying out. The informative ideas have added value to the content acted.
My straight-out favorite part of the movie was the period finery where the costumes used were stunning, excellent production design and sublime music all coming along with intelligence and some sort of gravitas in the theme of the music.
Wait! Music paper is just an example!
It is just an amazing presentation that was well organized in accordance to the audience targeted (Jackson, 2002).
Reference
Jackson, B. (2002). ‘Amadeus’: The Director’s Cut. Mix, 26(4), 106.
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